Contemporary Art Center 'La Conservera' hosts a film series whose films are related to the subject of temporary exhibitions of the center.
The screenings will take place in the courtyard two of 'Canned', every Saturday, from tomorrow until August 8, from 22:00 pm with free admission.
The series, organized in collaboration with the Regional Film Library, begins tomorrow with the films' Vertigo 'and' El Bosque ', July 11' Transpotting ', on July 18, '2001: A Space Odyssey', the 25 July screened 'The Time Machine', on 1 August, "At the end of the ladder ', and the August 8 meeting will double with' Solaris' and 'Last Days'.
Tapes 'Vertigo' and 'At the end of the ladder' are related to exposure 'Streaming' by Manu Arregui.
The films convey similar feelings to the viewer is when you look at the artist's work, such as romance, mystery, deception, falling into the void, fear of a hidden past to the unreal, intangible and alteration of reality, creating finally a huge embarrassment.
Space 2 welcomes Banks Violette sample shared interests and concerns of the films 'Transpotting' and 'Last Days'.
Both refer to the music, to the confusion of a philosophy of life and the excesses of youth culture that mark the artist's work.
The space 3 of the Canning displays the work of Loris Gréaud, the final chapter of his series CELLAR DOOR 'Best after the end' interacting with the film 'The Forest' and 'Time Machine', informing and engaging the viewer , and placing it in the past, present and future.
There is a very close relationship of exposure with the film 'The Forest' in the mirror that is made of exterior protection from an increasingly weak, full of pollution and unexpected situations.
Finally, the space 4 of the home's exposure Conservera Björn Dahlem, characterized by a scientific realism and symbolism, filled with references to the cosmos and space exploration.
His work is a connection between science and art amateur.
The films 'Solaris and '2001: A Space Odyssey' share the same arguments and move the viewer emotions similar to the artist we want to communicate with his work.
Source: CARM