The 'After hours' developed by the Ministry of Culture and Tourism, starts tomorrow with a show of music and dance by Erre que Erre and Balago.
The Minister of Culture and Tourism, Pedro Alberto Cruz, will open tomorrow in Murcia (at 23:00 hours, Archaeological Museum, Avenida Alfonso X, 7) This initiative aims to museums and galleries belonging to the Ministry for free hosting dance, theater and music among others once a month and from 23:00.
As a first activity, 'After hours' will feature performances by the dance company Erre que Erre Balago and the band will present its new project combining live music and dance in one piece.
Balago Erre que Erre and show a work prepared for the Archaeological Museum of Murcia, where artists take part in museum spaces and interact with the building with their movements and sounds.
The initiative was created following the success at the Night of Museums, the Ministry organized on the occasion of International Museum Day and other activities in other cities such as White Night aims to achieve greater "popularization" of the culture.
Thus, this new initiative invites the viewer not only to visit the cultural centers of a different, but to delve into them as co-star of the activities that they perform
Balago & Erre que Erre
Able to execute flawlessly expressive abstraction from an instrumental setting seamlessly collects Balago desolate and dark atmospheres, articulated by a network electronic and acoustic sound.
Artists-sponge, the band led by David Crespo, learn from their teachers (Matt Elliott, Boards of Canada, Low, Aphex Twin, Piano Magic, Fennesz, Tortoise ...) to reach their own conclusions with a personal speech, courageous and ambitious .
After getting rave reviews from their first two Erm (2001) and The segon pis (2004)-considered among the best national album of the year, "presents his latest album Balago D'here with the dance company Erre que Erre, in a space as special as the Archaeological Museum of Murcia.
Erre que Erre The group was founded in 1996 by a common artistic concerns and begin a path towards the creation of and experimentation with new forms and concepts of dance and movement.
Understanding dance as a communicative act that appeals to the emotions and feelings, rather than a logical narrative, offers a few looks at the issue of body and conflict with others.
Using improvisation and the skills and quality of its performers, Erre que Erre poses a premium work that interaction with live music and space.
Source: CARM