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Image, terrorism and blind '|
The Documentation Centre of Advanced Studies of Contemporary Art (Cendeac) organized the seminar "Iconoclasm and iconolatry.
Image, terrorism and blind ', which for three days, and across different presentations, try to make a public reflection, collective, and from different theoretical perspectives on the nature and scope of armed conflict, through images have been with him since the beginning, and whose most notorious episodes - though not the only ones - were the pictures from Abu Ghraib, the images of the arrest and execution of Saddam Hussein, hiding the bodies of American soldiers killed in Iraq and triggered riots in the Islamic world following the publication of cartoons of Muhammad in a Danish newspaper.
This discussion will analyze the opposition iconoclasm - iconolatry.
The seminar consists of three sessions (one daily between 17:00 and 21:30 hours) in the three lecturers who will address and be followed by a discussion session.
In presenting the seminar to be held at 12:00 pm, the coordinators will participate Corbeira Dario and Carlos Jimenez.
The seminar 'Iconoclasm and iconolatry.
Image, terrorism and blind 'Keti Chukhrov intervene, Graham Coulter-Smith, Anthony Downey, Marco Scotini, Carlos Taibo, Joseba Zulaika and Pedro A.
Cruz.
Attendance is free until all seats.
Those participants who want a certificate of the seminar must attend all sessions and pay tuition fees (30 euros professionals, 15 euros students, unemployed and pensioners).
Participation is free of charge by presenting the card 'Cendeac friendly. "
PROGRAMME AND PARTICIPANTS
Tuesday, October 14.
17:00 to 21:30 hours
Presentation of the course.
Conferences and Carlos Jiménez Darius Corbeira
Graham Coulter-Smith
Setting Scotini
Discussion Session
Wednesday, October 15.
17:00 to 21:30 hours
Pedro A.
Cruz
Joseba Zulaika
Keti Chukrov
Discussion Session
Thursday, October 16.
17:00 to 21:30 hours
Anthony Downey
Carlos Taibo
Discussion Session
Keti Chukhrov a doctorate from Moscow State University in 1998 and currently is a post-doctoral project at the Institute of Philosophy of the Academy of Sciences in Moscow.
In 2007, he helped draft the Documenta 12 magazines and was a fellow of the Stockholm Iaspis.
She has taught philosophy and theory of art in the Joseph Backshtein's Contemporary Art School in Moscow and history of philosophy at the Moscow Institute of Performing Arts Gnesin.
In 2004 he received the scholarship Rudgers University in the Zimmerli Art Museum.
Between 1997 and 2006 was publisher specializing in philosophy and cultural theory Logos Publishers and since 2002 has contributed to the Moscow Art Magazine.
He has also published over 70 articles on culture, philosophy and art theory for several publications, catalogs and international artistic projects, among which include: "On the anthropology of performing" V.
Podoroga and E.
Petrovskaya eds.
(Moscow Institute of Philosophy, 2004), "Product Russia" in Post-Communist condition (ed. Boris Groys, Berlin, Suhrkamp, 2004), "Between Politics and Artifact" in the Mind Map, Universitat Leipzig.
2006, "Equality as Idiocy" and "The Experience of Collectivity" in the catalog of the exhibition curated by Victor Misiano Progressive Nostalgia (Prato and Athens 2007), "Why art?" - Brumaria 8, 2007, "Art in the Conditions Bare of Governmental Modernism "Brumaria 9, 2007," The State on Guard of Bodies ", Sini Divan, February, 2008," Glamour as the Form of Culture "- Sarah-readers, Delhi, January, 2008 and" Criticism of Capacity for General Intellect "- Chto delat (What Is To Be Done), March 2008.
Graham Coulter-Smith is a professor in the Faculty of Arts, Media and Design Staffordshire University, Stoke-on-Trent, United Kingdom.
Among his publications include Deconstructing Installation Art: Fine Art and Media Art, 1986-2006 (online book available at http://www.installationart.
net / ), The Postmodern Art of Imants Tillers: Appropriation in abyme 1971-2001 (London, Paul Hobelton, 2002) and Mike Parr, The Self Portrait Project (Melbourne, Schwartz City, 1994).
He edited the anthology The Visual Narrative Matrix (Southampton, Fine Art Research Centre, 2000) and with Maurice Owen, Art in the Age of Terrorism (London, Paul Hobelton, 2005).
Christina Davidson and Graham Forsyth has published John Young: Silhouettes and Polychrome (Melbourne, Schwartz City, 1993).
The articles include "The discursive Object: Marcel Duchamp's Fountain, 1917: Sculptural Installation and Peter Bürger's Theory of the Avant-Garde" in Power & Persuasion: Sculpture in STI Rhetorical Context (Leeds and Warsaw, Henry Moore Institute and the Institute of Art, 2004) and "John Thomson: Narrative Sculpture" Animal + Vegetable = Mineral, edited by Les Buckingham (Portsmouth, Aspex Gallery, 1999).
Anthony Downey is program director of the MA in Contemporary Art from Sotheby's Institute in London.
Downey received his doctorate at Goldsmiths College (London) and has recently become part of the editorial board of Third Text.
It is also London correspondent for Flash Art International and has published essays, reviews and interviews on contemporary art in Flash Art International, Wasafiri, Next Level, BOMB Magazine (New York), New York Art Magazine, Art Review, Journal of Visual Culture, Pluk, Untitled, Bridge Magazine (Chicago), Contemporary, Circa, Art and Architecture Journal, Contemporary Visual Arts, Skylines, Wanderlust and Upstart.
His current research includes the politics of aesthetics, Giorgio Agamben, contemporary African cultural production and emerging artists from the Middle East.
He has written the text of the catalog for the first sale of contemporary art from the Middle East and Iran in Sotheby's (October 2007) and will be a guest editor in the next issue of Next Level on the Middle East, to be launched at the Fair Art Dubai and the Sharjah Biennial in March 09.
He recently lectured at the Tate in London, NYU, Camden Arts Centre, Courtauld, Cornell University, ICA (London), LSE, Pia Getty Foundation (London), Leuven University (Belgium), Warwick University, Royal Academy and Gallery Chisenhale (London).
Setting Scotini lives between Milan and Florence and is an art critic and independent curator.
He is currently director of the School of Visual Arts and the Master in Visual Arts and Studies Curating the Nuova Accademia di Belle Arti (NABA) in Milan, and is one of the founding members of Isola Art Center in Milan.
Among his recent curatorial projects are Beautiful Banners: Representation, Democracy, Participation, for the Prague Biennial 1 (2003), Empowerment, Genoa (2004); Revolutions Reloaded, Milan - Berlin (2004); Producing Reality, Lucca (2004 ) and Direct Action for Prague Biennale 2 (2005).
The curator of this project is Disobedience. An Ongoing video library (Berlin, January-February 2005, Prague, May-September 2005, St. Petersburg, July 2005, Mexico DF. September 2005, Barcelona July 2006). Scotini has also co-curated The international conference series models Utopian Display on contemporary exhibitions since 2002 has been the curator of the annual lecture series on public space Connecting People.
Carlos Taibo is Professor of Political Science and Administration at the Autonomous University of Madrid, where he also headed the Russian studies program at the Institute of Sociology of New Technologies.
Among his books are about politics, market and coexistence.
(Waterfall, 2006); global Prey.
An introduction to contemporary international politics (Punto de Lectura, 2006), Critique of the European Union (Waterfall, 2006) resistance movements against capitalist globalization (Ediciones B, 2005), The conflict in Chechnya (Waterfall, 2005 ) Whither leads the United States? (Ediciones B, 2004) United States against Iraq.
Bush oil war in 50 keys (the area of books, 2003); hundred questions about the new disorder (Punto de Lectura, 2002), The disintegration of Yugoslavia (Waterfall, 2000), The Soviet explosion (Espasa, 2000) , "Abolition of autonomy and civil resistance," Chapter 5 of the book to understand the conflict in Kosovo (Waterfall, 1999) Crisis and Change in Eastern Europe (Alianza, 1995).
Joseba Zulaika a Ph.D. in anthropology from Princeton University (USA).
His research focuses on Basque culture and politics, the international discourse of terrorism, traditional occupations, global culture and the diaspora, the history of anthropological thought and theories of symbolism, ritual and discourse.
He has also researched the Bilbao Guggenheim Museum Bilbao and ethnography with an emphasis on global culture, architecture, museum policy, and the tourism industry.
His books include: Basque Violence: Metaphor and Sacrament (Reno, University of Nevada, 1988), goats and soldiers (San Sebastian, Baron, 1988) Terror and Taboo in William Douglass (NY, Routledge, 1996), the Cro-Magnon Carnival (San Sebastian, Erein, 1996), Chronicle of a deception in the Guggenheim Museum Bilbao (Madrid, Nerea, 1997) and Enemies, no enemy (San Sebastián: Erein, 1999).
He has also published numerous articles which include: "Desiring Bilbao: The Krensification of the Museum and Its Discontents," in Learning from the Bilbao Guggenheim, (Reno, Center for Basque Studies, 2005), "Nourishment by the Negative", in Empire and Terror (Reno, Center for Basque Studies, 2005), "Death and Laughter in Oteiza," in Jorge Oteiza (cat., Haim Chanin Fine Arts, NY, 2003), "Excessive Witnessing: The Ethical as Temptation," in Witness and Memory.
The Discourse of Trauma, eds.
Ana Douglass and Thomas Vogler (NY, Routledge, 2003), "The Self-Fulfilling Prophecies of Counterterrorism." Radical History Review 85, 2002, "Krens's Taj Mahal: The Guggenheim's Global Love Museum," Discourse, Issue on "Imperial Disclosures, "23.1," Tough Beauty: Bilbao as Ruin, Architecture and Allegory. "Joan Ramon Resina, ed., Iberian Cities (NY, Routledge, 2001)," The art centers such as revitalizing the urban fabric, "Inventory.
Special edition, no.
7, 2001, "" Miracle in Bilbao ": Basques in the Casino of Globalism", in W.
Douglass, C.
Urza, L.
White and J.
Zulaika, eds., Basque Cultural Studies (Reno, Basque Studies Program, 2001).
Pedro A.
Cruz is head of the Ministry of Culture and Tourism of the Region of Murcia and professor of art history at the University of Murcia.
Member of the editorial board of the journal Visual Studies and Sublime, is a regular contributor to national and international magazines such as Art and Party EXITBOOK, Cimal or Aut-Aut.
He has written more than fifty catalog introductions and texts.
Among his works in times of unreal realism ity (Murcia, 2002), avoidability art (Murcia, 2002), The vigil of the body (Murcia, 2003), Death (in) visible (Murcia, 2005), Daniel Buren (Hondarribia, 2006) and, with MA Hernández, Impurities: the hybrid painting-photography (Murcia 2004) and Cartographies of the body (Murcia 2004).
Source: CARM
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