Portal de Murcia
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Organized by the Reina Sofia Museum, in collaboration with ICAA (Institute of Cinematography and Audiovisual Arts) and the University of Murcia through the Hall Film and Culture Digita will be held during the month of October the film series "The Memory disrepute ".
The cycle includes half a dozen films framed in the Spanish film Invisible, a classification that includes films of two distinct periods: one side bands produced in the late 60s and throughout the 70s betting on a stylistic break and discourse with the Spanish cinema of the moment, that frivolity and cultural apolitización imposed by the Franco regime faced.
This type of film disappeared in 1982 as a result of legislation that brought about the disappearance of independent film, thereafter based domestic production in ticket sales or state contributions.
However, thirty years later, in the 2010s, this model based on the institutionalization and consumption explodes into smithereens, and is born the need to explore other forms film production, exhibition and language again.
In this new film, which echoes the themes and treatment of those years ago, it is called "other cinema", a term that refers to the experimental cinema, which has found a place in some festivals, digital platforms, museums and centers art directors whose growers are born in a welfare society are now crumbling.
According to officials of the cycle, "it is a proposal that is not only sensitive to this, but is defined and understood as a document of this", characterized by its formal break, which prefer to aesthetics.
The series is curated by Luis E. Parés and Chema Gonzalez and will be screened at the Hall Antonio Soler the first three Tuesdays and Wednesdays October.
Admission will be free until all seats
Programme:
October 6, Tuesday: "The future."
Luis Lopez Carrasco (2013).
An unbroken line of democracy that goes from 1978-2013, with the milestone of 1982, the absolute majority of the PSOE.
This could summarize the official account of the welfare state in Spain, this film discussed.
October 7, Wednesday: "After ...".
Cecilia and Joseph J. Bartholomew (1981).
The desire to know what happened in Spain after Franco's death, where the political and social situation was moving, and at the same time this analysis was useful, lucid and sincere, led the authors to make an affidavit of Spanish reality.
October 13, Tuesday: "Joystiq".
Ramiro Ledo (2013).
From The Aesthetics of Resistance (1975-1981), this film tries to answer the famous question vertebrará novel Peter Weiss: how to write about the revolution avoiding narrative forms of society that tries to overcome precisely.
October 14, Wednesday: "The sopar".
Pere Portabella (1974).
Five political prisoners of the Franco regime gather at a farmhouse to discuss the transformative power of direct action, the effectiveness of the hunger strike or lack of perspective after jail imprisonment.
October 20, Tuesday: "cannibal Kabbalah".
Daniel Villamediana (2014).
It shows a double trip.
The first part in search of a family identity rooted in Castile from which exits to the Diaspora, exile and exodus.
The second trip is through the underground channels of Spanish culture, where heterodoxy, freedom and rebellion have always been persecuted.
October 21, Wednesday: "Far from the trees."
Jacinto Esteva (1973)
A trip to the atavistic rituals where born Spanish identity intact for centuries.
Halfway between the anthropological essay and folk inventory between social criticism and lyrical sketch, away from trees it becomes an accurate picture of who we are and what we can not detach.
Source: UMU
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