22:00 H.
- EARLY ENTRY 12 EUROS + booking fee / BOX OFFICE: 15 EUROS
Advance sale in Drives Traffic, Discos Comix, Abbey Gothic Shop, LaAgenciaTicket and Ticketea
Zagreb.
The room rumbles with "Over a hundred dawns" as the ancient walls protests quilting "neighborhood".
Nando (guitar), Edu (drums), Peter (guitar, vocals) and Raúl (bass and vocals) have got to be more LEAK than ever.
Are themselves doing what they do best: rock.
The years will pass and this collection of songs will not be forgotten dam rather become the soundtrack to the consolidation of a new era marked by the spirit of band as they all took part both in the composition and lyrics .
What comes to be a true team.
A cabin in which they plunged ideas until eleven songs direct harvest, with a wide range of times and not exempt from the usual luxury real details.
Moments when new Nando guitars own light shine far and wide across the album but also make hollow mandolin and subtle strings ("Behind the scenes").
Peter has managed to make his voice a versatile boat that sails equally slowly feeling ("Damn") or accelerated ("Be myself").
The tandem of Raul (a titan also leaves good sample of his vocal power in "A Year hangover") and Edu has made the highway at precisely this LEAK runs at full speed.
The album not fuck with little girls, entering blank from minute one with "Be myself", perhaps the most fuguero, giving rise relentlessly the first single, "Mondays from oblivion" theme perfect round which gathers all key to the success of THE LEAK.
Recorded, mixed and mastered by Iker Piedrafita, the little genius of Artica has steered the band to its characteristic sound walls without losing its essence.
He has rejuvenated without thereby losing its particular sound.
They sound and dream as they want to.
And do not loose their rings, on the contrary, to evoke religions as EXTREMODURO ("On the roof") or PLATTERS YOU ("Point Blank") while making him more festive spirit THE CALIS ("Cabin").
If the skin of a bull kicked up and down with "Roots", these dawns will surely become more than 100 date nights with rock that gives life and gives happiness to their "prisoners".
The altar remains feminine principal leitmotif but also step on the mud and unmask the reality of the music business (the aforementioned "Backroom") at the same time put the record straight to the harsh reality that we live ("In the bones ").
Source: Agencias