Under the name "Painters in Scene", Murcia Circus Theatre presents a new exhibition as a way to show the interaction between the different artistic movements such as painting and theater.
Painters in Scene respond well to TCM desire to open up to other sectors in the different relationship they may have with the theater, and ultimately, with art in general.
Murcia Many artists who had close contact with Thalia, the muse of art, and therefore, Teatro Circo Murcia have taken advantage of this great artistic legacy-painting to bring it closer to citizens.
From the admirable Ramón Gaya or Luis Garay to young Paco Azorin, one of the leading figures of the day with regard to performing arts.
Following the success with the Scene Painters and artist Murcia, Pedro Cano, Murcia Circus Theatre now brings another great painters and sculptors Murcia: FCG.
The exhibition is dedicated to the performing arts creations of artist and painter of Mula.
Specifically, the exhibition consists of ten models scenic, two lecterns and two chairs belonging to editions of the FCG International Awards and two sketches of the installation at the last edition 2011.
The exhibition can be seen until 19 December.
Besides inaugurating the exhibition, Murcia Circus Theatre this evening will become a meeting place for friends and cultural agents who wanted to see and hear FCG and the director of TCM, César Oliva, around the sample and its creation process.
The scenery created over his long career for the Washington Ballet, the show New Dawn Jose Merce or representation of The Jealous Extremaduran Spanish Ballet of Murcia.
Then.
The many facets of creative FCG coalesce as nowhere else in the realization of numerous stage designs for celebrations and events of various kinds.
The front view of the stage and the extent of it make it a huge canvas on which coexist with large colored spots sculptural forms of fleeting life contours taking as separate viewer.
The lines that characterize his work, stroke amplitude, suggestive forms, laden with symbolic connotations and yet terribly figurative and the constant presence of the color as a binder of the composition, are developed in the scenic work full extent.
The lines delimiting spaces and color unreal introducing the viewer into imaginary places, full of symbolism, to accompany and guide the artistic development of the work.
Not only his compositions have served as scenic background plays or ballets, his creations also have moved to other more everyday giving them their own life, making them integral parts of a collective where each occupied a clearly intentional.
Source: Ayuntamiento de Murcia