[The Teatro Romea will host the presentation of the book 'Padre' by Carma Casulá. | Thursday, February 23 at 7:30 p.m. |
The Teatro Romea will host on Thursday, February 23, at 19:30 hours the presentation of the book 'Peter', the new work of the artist and photographer Carma Casulá.
Edited by RM Verlag, this publication poses an approach to Russia, taking a personal look at Peter (2001-2015), Peter, or Piter, as their citizens in St. Petersburg, Petrograd or Leningrad call their families, which has been and is of decisive importance In the political and intellectual events of the country.
Casulá enters its social fabric forming another map of the city through its people and homes.
Like that of Conchita Lipina (Murcia 1916) and her family, who met her husband Pavel Lipin at the Teatro Romea on New Year's Eve 1937 and thus began his life in Soviet lands.
In fact, in the presentation will be present the family of the Conchita Lipina Martina (Conchita Martinez) for whom 80 years ago a meeting in the corridors of Romea changed his life.
The book has two conducting threads that are interlaced and complementary.
One, more urban, follows the author's travels through the city and the experience of its monumental center, the most tourist center of the country to which the Russian people almost with devotion, while in its austere Soviet peripheries the new blocks intermingle Instilled by voracious urban speculation.
Another route for its stops - more private - that penetrates its social fabric forming another map of the city through its people and homes while knowing their lives the issues that are most concerned or concerned and what they feel the most Attachment.
In addition, it includes 'Orthodox', cathedrals and churches that during the Socialist Revolution were socialized, abandoned, desecrated, and used for another purpose and that with the arrival of the Perestroika began to recover its cult.
Carma Casulá is a visual artist and freelance photographer from Barcelona, ​​a doctorate in Fine Arts from the Complutense University of Madrid, with studies at the Istituto Europeo di Design / IED Milano, at the International Center of Photography / ICP in New York.
It combines his artistic projects focused on the anthropization of the territory, the landscape, and his memory on the individual with projects of photodocumentalism, such as Peter (2001-2015).
Source: Ayuntamiento de Murcia