On Thursday September 15, at 20 hours, it opens at the rectory of the University of Murcia (building Convalescence) exposure "Red estuary" Gabriela Amorós.
The sample consists of eleven drawings in which, through female nudes, the artist aims to create an atmosphere "timeless mythical ye".
XIX admirer of illustrators as Gustave Doré and John Martin, and eternal and tireless contemplator of the work of Leonardo da Vinci, Amoros confesses that uses drawing to their own thinking and to communicate with everything around you and fascinates.
For her, any artistic expression is linked to humans, their emotions and their feelings.
He says that "with my work I pursue simple things well: be a little happier, be a better person, to deepen what I read, learn to reflect, delve into the nature of some things ...".
Hence every opportunity to share their work with the public is reason for her deep appreciation.
Gabriela Amoros, who addresses his works with the technique of graphite, define his own style as symbolist figurative.
The exhibition will remain in the hall of Convalescence from 15 September to 14 October.
Those who visit this exhibition can admire the artist-reflection, containing eleven works that are accompanied by texts in which the artist synthesizes speeches that has been provoking each during the creative process.
They are included "an important component of philosophy, mysticism, mythology, art history, and may collective historiography".
Amoros refuses to include details of his own biography in his work: "I like to think, rather, that is timeless and metaphysics, although the Renaissance and Baroque influence is obvious."
As for the theme present in all works, the female nude, not to the author herself, "rather than an instrument, sometimes repetitive, to express abstractions that have little or nothing to do with eroticism, as my inner world is a universe of ideas and continuous searches, to protect a network and interact and, at the same time adapting to the continuous changes that represent human existence ".
Source: Universidad de Murcia